Where Is Madison Sins Now?

What software for Live Coding? Live Coding

Live Coding can affect various aspects of digital production, but here I will mainly music. Regardless of the languages \u200b\u200bcreated directly by the coder, I will mention only a few software environments, operating an arbitrary and selective at the expense of completeness. Resources are many and varied.

Those of which I will write languages \u200b\u200band environments are free and open source, for the simple reason that the algorithms are expressions of thought, so they must be made freely freely and must be compiled and executed.

Among the languages \u200b\u200bto be mentioned GUI Pure Data, developed by Miller Puckette in 1996. This is a graphical programming environment that allows real-time to produce and process audio, video and graphics.

Pure Data (Pd) was developed to be multi-platform packages for GNU / Linux, Windows, MacOSX and sources can be freely downloaded here .

is currently maintained by the same Puckette ( http://crca.ucsd.edu/ ~ msp / ) and a host of collaborators from around the world who have contributed to the extended version , which includes several libraries that extend the possibilities of language. Among these cyto Gem, which lets you create graphics within Pd.

I will not dwell further on this software, the resources available online, also in Italian, are numerous and complete, so have fun!



With SuperCollider by the merits of the languages \u200b\u200bthat include writing code without the aid of a graphical interface.

From the site:

SuperCollider is an environment and programming language for real time audio synthesis and algorithmic composition. It Provides an object-oriented interpreted language Which functions as a network client to a state of the art, realtime sound synthesis server .

SuperCollider (SC) is an interpreted programming language , which acts as a client (SClang) of a server (SCserv) real-time audio synthesis. It 'was written by James McCartney, who released it in 1996.

Write code apparently is more complex than fiddle with the graphics, but the proper apprenticeship after you master the techniques of audio programming and to demonstrate its superior expressiveness than the graphical languages.

SuperCollider is a powerful and expressive language, and unfortunately the resources are not available online numerorissime. The few that we found are in English, except for the site Andrea Valle that besides being a coder SC, wrote the only book in Italian on the subject, to which I refer interested parties.

Obviously SC is a free, downloadable here, in versions for GNU / Linux, Windows and MacOSX.

With the next post I will start writing about Chuck , another textual language for audio. Besides a general overview write some tutorials, given the total lack Italian resources in the network.

the next ...


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The Live Coding, or programming in real time ( On-the-fly programming ) is a programming style in which the Coder, be it a composer, a digital artist or a programmer modifies the code while it is running, in order to make clear the processes that give rise to performance. Some

implications of Live Coding:

1. allows direct access to the mind of the performer, producing a new way to interact between himself and who enjoys his work. The listener can experience the sounds (and / or graphics, video, etc ...) not only when they are taken out from the amplifiers , but when they are designed . Listening becomes a total experience in the sense that includes the entire process, from thought to sound.
2. The combination of hardware and software takes on the role that has always been the traditional musical instruments. There is nothing pre-packaged, pre-saved. As a pianist touches his keyboard in real time, the coder program sounds and sells them to the public as to produce them, here and now.

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Presentation

This is the first post of my blog. It is not, as often happens, a diary or a place to post reviews of various types, but it's a blog that would deal with topics related to electronic music. In particular, the branch of electronic music which is usually defined Live Coding or On-the-fly programming . I shall have occasion to explain the terms in the next post, for now I will only give a welcome to all those who wish to write here about this topic or more generally of electronic music. The goal is to bring together the largest possible number of people interested in this subject not only to reflect, learn, study, propose, but also to interact effectively. In other words other than I'd like to do is create a network of musicians willing to discuss but also to make music together.

But I run too ... I'll explain in the next place gradually, for now ... a welcome to all.

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New alarm clock



Yes. There. After the months to follow the products displayed in stores, I found a clock radio that does what I need. What do I need a clock radio? Besides the obvious functions that a device of this type must have, including, importantly, the function of "Sleep," I need the headset jack / stereo earphone and a feature that I doubted to be able to find, but that logic, can not 'miss: If the headset and' Enter the alarm clock should feel the same. If it were not already 'clear enough so' explain it in another way. I listen to music on the radio the evening before bedtime. The function of "Sleep" does just that and I think many people know and use. Of course you can 'happen to those who are in the same room may not like the music at night, and so' use earphones. What happens, however, 'if after the amount of time the radio is turned off but the headphones, of course, be left in place because' the user is sleeping? The answer 'that many clock radios remain silent,' cause with the headphone jack included the speaker and 'disabled. Funny is not it? Then this clock radio can 'be used in two different ways, but not at the same time. Even if you are using the buzzer instead of radio as an alarm signal, it typically does not change because 'the tone of the speaker uses the same radio. So 'I've been waiting to see if I had to have two devices on the table: one for the evening, one for the morning. Instead
a Saturday when I had better things to do, I went into a store Media World and I found a curious-looking alarm clock and solid in practice and 'a small speaker with a control panel with three round knobs, a display, two buttons, a light sensor. I have tested and, magic, The radio also if there 'a headset inserted. Apart from the fact that it 'heavy, heavy, bulky (but only when measured as a simple alarm clock) there' and also to say that 'expensive: € 149. But more sophisticated clock radios and small stereos or compact docking station similar cost figures and also (much) more. In short, 'cause hesitation? I finally found what I wanted. Apart from the characteristic described above and the other decisive feature 'was the sound: it has a quality' sound very impressive for the size, and in fact 'with bass reflex. The alarm in question 'and the model of Boston and' Horizon Solo. "

For the truth 'I had a small "problem" with this radio: after a few days I suddenly realized that the volume, which normally is 50, did not exceed the value 10. I sent an email to Boston, but since it was the eighth day of purchase I could not wait and risk, and I've made the change: from World Media have always been kind and quick in these things. As indeed in other shops I frequent, fortunately.
The same evening I get the response from Boston, told us that the system was probably active "hospitality mode" which limits the volume of the radio to use it in hotels or similar situations where you do not wish to disturb to nearby rooms. How did I accidentally put this mode '? Boh, But 'I remember a lot initially tinkered with the radio and try to find out all the features', obviously with the manual in hand. Well, maybe I should go to Media World to say you do not need assistance for your product, but only a new configuration. However, apart from the hassle of going to do the replacement, the only thing that 'changed and' that I now have room in the clock radio that was on display (the one that I had thoroughly tested in the store) and that it ' different color: this' white one I bought originally was gray (the two visible in the picture).

Now I have stopped using the stereo of your stay to listen to music at night: I have a thread that comes in the room and to which I connected a potentiometer (actually two in series) to adjust the volume remotely. My stereo and 'connected to a timer function that allows me to' sleep and then, after the allotted time, turn off the electricity. The radio that I bought and 'much more' convenient 'cause it allows me to change from normal in the headphones or earphones to listen and to change the station or to extend / shorten the time off without having to move room to lie down and even .

All right then, and if anyone has ever looked for a clock radio with these features and to know that it exists and that 'high quality'.